Category: inspirations


My initial idea to work with the theme of noir really excited me, meaning all my research and planning was more of an indulgence of a passion rather than a chore, in fact this evaluation was the only thing I’d been putting off. I looked briefly at more contemporary source material such as the frank
miller sin city graphic novels where the key features of noir have been caricatured and stretched to extremes with every image a set of solid block colors creating a world of shadows and flashes of blood red and films such as blade runner where the ideals of a strong anti-hero has been catapulted into the future, while keeping the media conventions of the genre such as the lights shining in through slightly open blinds casting a shadow on a man’s face and the steam filled streets as a male figure walks into the distance

As writhe with inspiration as these modern sources are I wanted to focus on the classical noir spirit, the cinematography of 40’s and 50’s became a large part of that for me.


[still from “the big combo 1955]

I tried to reinforce my early ideas by looking at photographers that create large-scale almost cinematographic images be they staged or captured as they happen in the real world, o winston link and Gregory Crewdson stick out in my mind as two particular examples of this.

Crewdson’s work happens mostly behind the scenes spending hours and hours preparing a location like it was a film set, using masses of lights and models to create amazingly detailed stills that would not look out-of-place on a Hollywood movie lot.

O winston link’s work achieves a similar level of detail but his work captures split seconds in real-time, using large flash set ups and experiments with shutter speeds he managed to capture beauty unseen at the time.

[Left. an image of the lighting kits used by link, Right. a personal Favourite of his work entitled “hotshot east bound”]

I at this point had a pretty solid idea of how i wanted my work to look, so i had three big challenges to get passed, first being lighting get the right intensity of light on location with limited equipment would be difficult.

Secondly finding a location i knew i wanted to hold on to the 1940’s / 1950’s theme which living in a mainly 18th century built town with a modern town centre would never be easy,

The third and final challenge would be models creating images using real modern-day people and finding ways to recrate the fashions and feeling of a different era on a tight budget meant I would have to start begging for help as soon as possible.

Thankfully I had a little experience thanks to a past project  I had done with a similar theme

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after a few more experiments I was pretty confident in how I was going to light my work I just needed locations,  test print1

My first location was recommended to me by a class mate a local garage has a few older cars that would fit my work perfectly.

So I wasted no time in going to talk to the owners and thankfully they agreed to me shooting there at an agreed time with in the next few weeks, it was now that I began looking for models as well as more locations.

I had initially planed to used older looking small landmarks like lamp posts and keep the images tight using a 50mm lens meaning there would be no chance of modern details slipping in with out my notice, but then as I was on the search for new models I found the perfect location.

Wolverton station is located no more than 20 minuets from my home and was once the official train station of the royal family, now privately owned and no longer in use.

when I first visited the station i knew it was perfect it has been restored to when it was in its last in use in the 1940’s, meaning the architecture is exactly what i was looking for.


with the abundance of smaller locations with-in the station I felt I had more than enough opportunities to successfully complete  my assignment  so I begun searching for models, using the best tool at my disposal to address a large number of people simultaneously Facebook


Thank fully with in my personal Facebook friends and the followers on my professional page i have a few people who are heavily interested in retro fashions so finding models wasn’t too much trouble.

i booked both the garage shoot and the station shoot  for the same day so as to give myself more time incase i needed to organised extra shoots, but thankfully i got everything first time out.

all my models showed up and with the exception of a portable light refusing to trigger and a lot of corn flies we had no difficulties.


The post edit stage came and went very quickly, I think as I was shooting I had Favourite images and the same ones seamed to jump out at me while I was selecting my final images.

i tried to focus on images that felt like part of a story, as though the images where a still from a film or part of a family album.

this brings me neatly to my display it was suggested to that I set my work out as though it was a section of a home, again trying to mirror that real life snapshot of time i loved so much from the work of o winston link, and keeping the now ageing noir genera almost as though this could be the living room of a now ageing fem-fatal from one of the movies that have inspired me so much.




Brassaï (pseudonym of Gyula Halász) was a Hungarian photographer, sculptor, and filmmaker who rose to international fame in France in the 20th century. He was one of the numerous Hungarian artists who flourished in Paris beginning between the World Wars.  (sorce wiki)

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his work catures paris at night and has a beautiful depth to it, using the light given at the sceen and longer exposures, creating ethereal images with a dream like quality. his work seams to beautifuly capture a moment in time somthing i hope to acheve in my work.

Gregory Crewdson

Gregory Crewdson was born in  Brooklyn, NY. graduating early from John Dewey High School,

in his younger years, he was a meber of the  punk band “The Speedies”

Their most popular song “Let Me Take Your Photo” proved to be a forshadow of Crewdson’s later succsess.

Hewlett Packard used the song in 2005 to advertse to promote its digital cameras.

In 80’s Crewdson studied photography at SUNY Purchase. He received his Master of Fine Arts from Yale University.

He is now a professor at the Yale University School of Art.In 2012, he was the subject of the feature documentary film Gregory Crewdson: Brief Encounters.

Gregory Crewdson’s photographs usually take place in small town America, but are dramatic and cinematic.They feature often disturbing, surreal events. The photographs are shot using a large crew, and are elaborately staged and lit.

Untitled photo from Crewdson’s series Beneath the Roses (2003–2005)
He has cited the films Vertigo, The Night of the Hunter, Close Encounters of the Third Kind, Blue Velvet, and Safe as having influenced his style, as well as the painter Edward Hopper and photographer Diane Arbus.[

O winston link

Ogle Winston Link Born in America  December 16, 1914, known commonly as O. Winston Link. Best known for his black-and-white photography capturing the death of steam travel in the united states in the late 1950s. As commercial photographer, Links work was well respected but he also helped establish rail photography as a hobby. He also pioneered low light and night photography, one of the best known examples is Hotshot Eastbound (see below), An image of a steam train passing a  classic drive-in movie theater, link sadly pased away January 30, 2001 at age 86.

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